Events

Lock the Web Open: Inside DWeb Camp 2026

Last week, in an ancient forest an hour outside Berlin, more than 500 builders, researchers, archivists, and artists gathered to ask the same question in a hundred different ways: how do we build a web that cannot be switched off, sold, or shut down. Internet Archive Europe helped bring it there.

Ten Years On, First Time in Europe

For the first time in its ten-year history, DWeb Camp left the redwoods of Northern California. This year it landed at Alte Hölle, a former Stasi recreation site now home to a collectivist community, set on 100,000 square metres of forest and meadow in Brandenburg. The event is co-hosted this year by the Internet Archive, the Department of Decentralization, and IAE, which is why our co-founder Julien Masanès and our Programme Manager Beatrice Murch spent the week there rather than reading about it afterwards.

The move mattered. While the first Dweb Summit was held in 2016, DWeb Camp began in 2019 at an abandoned mushroom farm south of San Francisco, when Internet Archive founder Brewster Kahle brought together the creative spirit of Burning Man and the hacktivist energy of Chaos Communication Camp. A decade later, the same spirit crossed an ocean to gather closer to the policymakers, researchers, and institutions IAE works with every day.

None of this happens without someone tending it in between camps. Wendy Hanamura has been DWeb’s connective tissue since 2016, linking the builders, funders, and policymakers scattered across the movement and keeping the conversation about shared values, markets, and technical standards moving forward year round. Her pitch for the movement has always been straightforward: a decentralised web should let many different projects succeed side by side, rather than funnelling everyone toward a single dominant platform, which is closer to what the web was meant to be before it consolidated. It shows in how DWeb Camp runs. Attendees writing about the Berlin edition were quick to credit her and the wider DWeb team with pulling off the move to Europe.

Nine Tracks, One Direction

This year’s theme, Root Systems, was more than a nice metaphor. Mycelium networks don’t have a centre and don’t ask permission. They share resources peer to peer, and they survive when any single tree falls. That is the model DWeb Camp is building toward: protocols instead of platforms, infrastructure that can’t be pulled up by a single actor, however powerful.

Over five days, programming ran across nine content tracks: Anti-Authoritarian Stack, Cultivating Tech for Food Sovereignty, Decentralized Design, Decentralized Hardware and Local Community Networks, Open Social Web, Peer-to-Peer and Local-First, Public AI, Solidarity Tech, and Sustaining Infrastructure, spread across more than a dozen stages, tents, and workshop spaces. The full programme ran from morning yoga to midnight campfires, with sessions on mesh networking and cooperative governance sitting alongside a children’s puppet parade and a camp talent show.

Lock the Web Open

Brewster Kahle opened the camp with a talk that set the tone for the five days that followed, closing with a line that stuck with everyone who heard it: “Let’s build a decentralized web and lock the web open.” It is a simple instruction with a hard edge. Open access to knowledge is not a default state the web slides into. It has to be built, defended, and locked in place before someone else locks it shut.

One of the week’s most talked-about moments had nothing to do with slides. Attendee Andre Kudra described sitting down with Bruce Baumgart, who built the Internet Archive’s original “Petabyte Box,” for a long conversation about consciousness and whether machines could ever possess it. For Kudra, exchanges like that explained why the camp format works better than a normal conference: once people are sharing meals and tents for days on end, the small talk runs out fast and the real conversations start.

Those conversations quickly transformed into constructive brainstormings on Kahle’s own project OnionPress. The project pairs a familiar WordPress dashboard with a permanent Tor address and automatic backup through the Wayback Machine, and it picked up real interest at camp, with people asking how to get involved almost as often as they asked how it worked. It is still early and rough around the edges, but it works, and it says something about the mood at Alte Hölle that a tool built around exactly this instruction found such an eager audience. 

No Egos, Just Roots

Julien came back from Alte Hölle struck by something harder to put into a session title: the atmosphere. Wherever he went and whoever he spoke with, the same thing surfaced. People were friendly, generous with their time, and entirely focused on solving real problems for the public good. No egos, no turf wars, no cliques. Just a few hundred people looking in the same direction and working out how to get there together.

That showed up in the smaller sessions too. Bart Delrue, who teaches electronics and ICT at Odisee, ran an accessibility clinic that skipped the theory in favour of hands-on triage of real projects people had brought with them, and gave a talk on RSS as, in his words, the original simple and resilient root system. Elsewhere, the Platoniq Foundation led an immersive role-play on who gets to govern and fund democratic technology, and joined a Sustaining Infrastructure panel with the Free Software Foundation Europe’s Matthias Kirschner and Metagov’s Liz Barry on what keeps community-run infrastructure alive once the initial excitement fades. None of it was solemn. One evening session, built around a stash of glow-in-the-dark paint, flipcharts, and a Fediverse cape, filled the Social Web tent with campers making button badges and dancing to a Lily Allen track.

Coalitions around decentralisation and digital rights often fracture along exactly the lines DWeb Camp avoided: competing standards, competing funding streams, competing claims to who got there first. This one built something more durable than any single protocol: a working culture that treats collaboration as the default.

AI as Root, Not Threat

Sessions in the camp’s Public AI track treated artificial intelligence as a tool that could accelerate a more decentralised, public-interest web: language models built for communities with little existing infrastructure, public AI projects designed in the open, conservation and agricultural tools grounded in shared, non-proprietary data. A demonstration of the BetterEdge Sovereignty Anchor, a confidential-computing approach to running servers outside traditional data centres, drew praise from both Kahle and Baumgart. Built this way, AI spreads capability outward instead of pulling it into fewer hands, one more root in the system rather than another centralising force.

Why This Is IAE’s Work Too

Everything Root Systems stands for sits close to what Internet Archive Europe pushes for in Brussels and Amsterdam: memory institutions that can collect, preserve, and provide access on their own terms, rather than terms set by whichever platform happens to hold the data this decade. A decentralised web and a legally protected right to digital memory are two routes to the same destination. We therefore encourage you to sign the Our Future Memory Statement that aims at pushing decision makers in the right direction. 

As regards DWeb, it runs on volunteers and a community that keeps showing up year after year.  Moving forward, nodes should continue to spread and we are looking to start a DWeb node in Amsterdam, so please get in touch at office@internetarchive.eu. More generally, if Root Systems is a movement you want to help grow, please check out the DWeb Principles and use the DWeb contact form.

Photo credit: Anton Tal

Lock the Web Open: Inside DWeb Camp 2026 Read Post »

When Archives Speak Back: IAE Hosts Data CARE Festival Fellows in Amsterdam

More than 30 public AI researchers from around the world gathered at the Internet Archive Europe Amsterdam headquarters on June 9 to open the Data Care Festival organized by the Inclusive AI Lab, and to discuss the role of archives in supporting culture and society.

The discussion almost didn’t happen as planned. On 9 June, Internet Archive Europe (IAE) opened its Amsterdam space for the Fellows Soirée of the Data CARE Festival, a four-day gathering organised by the Inclusive AI Lab. The listed moderator, Kirthi Jayakumar, was not able to travel to the Netherlands because of a technical error in the passport. One of the listed panelists, Franklin Ozekhome, pop culture architect and founder of Pop Culture Varsity travelling from Nigeria, also encountered entry barriers and couldn’t make it that evening. Inclusive AI Lab founder Prof. Payal Arora, stepping in to moderate, named it plainly: a visceral reminder of who gets to speak, and what kind of passport shapes access to the very conversations about power and knowledge that the evening was there to have. 

The Data CARE Festival

The festival’s theme, “Reclaiming Techno-Optimism: Building for Context. Culture. Community,” reflects the core work of the Inclusive AI Lab, founded by Prof. Arora at Utrecht University. The lab incubates researchers, practitioners, and civic leaders from across the Global South and North, working on the concrete conditions under which AI can serve communities rather than extract from them. 

When Archives Speak Back

The evening panel, titled “When Archives Speak Back: Power, Data, and AI Storytelling,” brought together IAE Programme Manager Beatrice Murch; Dr. Jaswina Elahi, assistant professor at Utrecht University and principal investigator on heritage-building among postcolonial migrant communities in the Netherlands; Vincenzo Scagliarini, head of research at Logotel and editor of the collaborative economy project Weconomy (Italy); and Chux Daniels, who leads transformative innovation programmes across Africa. Rana Kuseyri, responsible AI researcher at the Inclusive AI Lab, had opened the evening by framing the festival’s core commitment: not optimism as a mood, but hope as a moral imperative.

The conversation that followed was grounded in lives, not abstractions. Elahi, whose research traces the heritage of postcolonial migrant communities in the Netherlands, pushed expanded the definition of what counts as culture. Growing up Surinamese-Hindustani in the Netherlands, she described a childhood shaped by Bollywood films, Surinamese Hindustani radio, and a recurring question: but where are you really from? Her doctoral work examined how digital platforms were allowing Hindustani communities in the Netherlands to construct and transmit cultural identity — research met, early on, with the assumption that young ethnic minority internet users must be at risk of radicalisation. The actual finding was that they were using the internet to feel connected to their communities, their home countries, and their culture.

That distinction matters for what archives do and don’t capture. Elahi was precise about it: heritage is not a building or a monument. It is a song that only exists in relation to another person. It is the way a grandmother cooks that her grandchildren can attempt to learn, but will always make it differently. The body carries heritage and passes it on. The recipes communities are writing down now, the YouTube searches for ingredients that are no longer available, the heritage books being compiled: these are not the heritage itself, but they are activating something that might otherwise be lost. Data alone is not heritage. But in the right hands, it can give communities a voice they were never offered elsewhere.

Scagliarini brought a different example: a team of five engineers from different countries, working for Cisco on a creative project that eventually made it to the Venice Biennale. The team included a designer who couldn’t code. From a conventional business perspective, that was a problem. What actually happened was that she and the engineers spent a month in conversation before the first GitHub push, and she came out of it having learned a new language, not to replace her own practice, but to build shared knowledge. Data, Scagliarini argued, is something living: it can always be broken apart, rearranged, and re-interrogated, even across centuries. The responsibility is to keep rewriting it, not to take any version of the record as fixed.

Daniels traced this across a different scale. The growing global presence of Afrobeats, with the nice touch of Nigerian music playing through Schiphol airport on his last arrival, is one signal of a cultural confidence that statistics about tech governance don’t yet reflect. Eighty-five percent of the world’s population lives in contexts where the biggest tech decisions get made without them. The UK Prime Minister meeting with Apple and Google to shape AI governance is not the same as the communities in Kenya, one of the world’s biggest social media user bases, having any say in how those systems work. The same asymmetry applies to knowledge-making more broadly: innovation in agriculture, finance, and mobility is being led in the Global South by people working without the infrastructure constraints that lock the Global North into old models. M-PESA exists because banks wouldn’t go to rural areas. The most interesting AI work may be happening in places the dominant platforms aren’t looking.

Beatrice connected this to the practical stakes of what IAE and the Internet Archive exist to do. Truth, she said, is fracturing. The archive’s job, namely establishing what was said and what happened at a given point in time, matters more when that fragmentation accelerates. Democracy’s Library, the Internet Archive’s project to gather government-funded public information and make it freely accessible, is one concrete response. Beyond that, the work comes down to choices made under constraint: you cannot archive everything. The guiding principle is not to let perfect be the enemy of done, and to be honest about the challenges, which are real: lawsuits, the rising cost of storage, legal frameworks that differ across EU member states, and journalistic organisations restricting Wayback Machine access. Thirty years in, the Internet Archive is still here, and still going.

Why IAE Supports the Inclusive AI Lab

IAE is a partner of the Data CARE Festival because the questions it poses are ones we share. Who controls the record? What gets preserved, and what gets lost? When AI trains on cultural heritage, whose heritage counts? These questions shape what libraries, archives, and memory institutions can do, and what communities can access and build on. The panel on 9 June was, among other things, a demonstration that these questions are not rhetorical. Two of the people who were supposed to be in the room didn’t make it, because of where they hold citizenship. That is the context in which memory institutions operate, and the context in which inclusive AI must be built. And this is what shapes what our understanding of the past will be in the future.

When Archives Speak Back: IAE Hosts Data CARE Festival Fellows in Amsterdam Read Post »

Resurrecting Networks: On Eulogies, Dead Tech, and Fifteen Years of Open Government

On Friday 22 May, Internet Archive Europe’s Amsterdam space hosted two very different events that, in retrospect, belonged together.

A Funeral for the Networks We Lost

The afternoon began with Resurrecting Networks, a workshop led by Sevgi Tan that asked participants to do something rarely granted in tech culture: slow down and grieve.

Tan’s practice draws on media archaeology and Mary Shelley’s Frankenstein, taking deprecation seriously as an event worth marking. The premise is simple and slightly radical. When a network dies, it doesn’t just disappear. It takes with it communities, habits, ways of communicating, and forms of trust that were specific to it. AOL chat rooms were not just a primitive version of Slack. MSN Messenger was not merely a precursor to WhatsApp. They were particular places, with particular people in them, and when they went, something real was lost.

Participants arrived in funeral attire, as requested. Together, the group built a graveyard: a collective list of dead networks. Then came the eulogies. Some people wrote short paragraphs. Some read poems. Some brought physical objects. Singing was involved. The format was deliberately open, the mood somewhere between solemn and warm.

What made the session land wasn’t nostalgia, exactly. It was the act of paying attention. Tan’s framing insists that slowing down around technological loss is a form of resistance to the consumerist logic that treats obsolescence as natural, inevitable, and not worth mourning. If we want to understand what we’re building now, it helps to understand what we’ve already buried and why.

For an organisation that archives the web, that question is never abstract. What survives depends on choices: what gets collected, what gets preserved, what gets remembered. Resurrecting Networks made those choices visible and personal.

Fifteen Years of Open Government, Celebrated with Cake

The borrel that followed brought a different energy. Together with Open State Foundation, IAE marked fifteen years of the Open Government Partnership as part of Open Government Week, an annual moment when countries and civil society organisations across the world take stock of what transparent, accountable governance actually looks like in practice.

There were drinks, Affligem, Fritz Kola, red velvet cake, and the kind of conversations that don’t fit neatly into a programme. A short presentation anchored the afternoon at 16:00, but the real work of the evening happened in the margins: practitioners, archivists, and open government advocates comparing notes, making connections, and arguing about what progress looks like.

The Open Government Partnership launched in 2011 on the premise that governments perform better when they operate in the open. Fifteen years on, the gaps between commitment and practice remain wide in many places. But the coalition has grown, and the principle has held.

For IAE, open government and digital preservation are not separate issues. Archives are how accountability becomes possible over time. A government that controls what gets preserved controls, in the end, what can be known about it. Open access to public records, open data, and the right of memory institutions to collect and keep digital materials are all parts of the same argument.

The afternoon made that connection visible, without needing to say it out loud.

Both events are over, but the questions they raised aren’t. If your organisation works in this space, we’d love to hear from you.

Resurrecting Networks: On Eulogies, Dead Tech, and Fifteen Years of Open Government Read Post »

Digital memory is not a given. Someone has to fight for it.

On 10 April, Internet Archive Europe joined SETUP and the Next Nature Museum in Eindhoven for the opening of the Facebook Museum, a project that asks a question most of us avoid: why can’t we let go of the platforms that hold our lives?

The evening brought together Brewster Kahle, founder of the Internet Archive, researcher Marissa Memelink, cultural sociologist Siri Beerends, and Koert van Mensvoort, Next Nature Director, for a conversation that moved quickly from nostalgia to urgency.

Kahle traced the arc of digital communities from FIDO Net and GeoCities to MySpace, Vine, and Twitter, not as a history lesson but as a warning. These platforms held real communities, real memories, real voices. Most are gone. What survives lives in the Wayback Machine. “People want to share what they know,” he said, “and they’re awesome.” The problem is what happens to that sharing when it sits on someone else’s servers, subject to acquisition, shutdown, or deletion without notice.

The panel pushed on something harder than technical preservation: trust. A Facebook Museum visitor had described their account as an external hard drive, assuming the data would simply be there whenever they needed it. Kahle was direct. That assumption is false, and most people know it, in the way you know your phone photos might not be backed up, but do not act on it. The question is not just how to save things. It is how to build systems that people can actually trust enough to rely on.

That question has a political answer. Kahle pointed to the stakes for Europe specifically. If the continent does not build public digital infrastructure, including public AI trained on cultural heritage, the choice will narrow to American or Chinese models. “That is not good enough,” he said, “and we have the technologies to do something about it.”

The decentralised web offers a different model: protocols instead of platforms, data you actually own, switching costs that do not feel like surgery. This vision is being practicalised at events like DWeb Camp, which moves to Europe for the first time this July in the forests of Brandenburg, close to Berlin, Germany. By gathering technologists, artists, and policymakers to build “root systems” for a more resilient internet, the camp serves as a living laboratory for these principles. The path is not easy, but the direction is clear.

This is exactly the work Internet Archive Europe exists to support. Preserving the web is how societies remember who they were and what they chose to build. It is too important to ignore.

The Facebook Museum runs at the Next Nature Museum in Eindhoven through September 2027, and the Internet Archive Europe looks forward to a continued partnership with SETUP Media Lab.

Digital memory is not a given. Someone has to fight for it. Read Post »

ClimateGPT is a Webby Nominee. Vote Before 16 April.

Most AI tools are black boxes. You do not know what they were trained on, who decided what counts as reliable, or whether the answers they produce can be checked against anything. ClimateGPT 3+ is built on a different premise: that climate intelligence must be open, auditable, and grounded in solid data. The Webby Awards have taken notice.

ClimateGPT 3+, a project developed by Erasmus.AI and supported by Internet Archive Europe, has been nominated in the AI: Energy and Sustainability category of the 30th Annual Webby Awards. This year more than 13,000 projects entered; ClimateGPT 3+ placed in the top 11%. A People’s Voice Award, voted on by the public, is now within reach. Voting is open until 16 April 2026.

The People’s Voice Award

The Webby People’s Voice Award is voted on by anyone, anywhere. Last year nearly 3.6 million votes were cast from more than 230 countries. The award is a signal to the sector about what kind of AI the public actually values.

ClimateGPT earned this nomination by doing something most AI platforms do not. Voting for it is a vote for the principle that AI serving the climate transition should be open, accountable, and grounded in the best available science. It should not be proprietary, locked behind paywalls, or optimised for engagement over accuracy.

Vote at vote.webbyawards.com before 16 April 2026, and visit climategpt.ai to explore the tool directly.

What ClimateGPT Is, and Why It Is Different

ClimateGPT is an open-source ensemble of large language AI models built to augment human decisions on climate change. It was trained on a corpus of over 10 billion web pages and millions of open-access academic articles, synthesising interdisciplinary research across the natural, social, and economic sciences. The model is available in more than 20 languages and is free to use for researchers.

That is not a minor technical detail. The decision to make the model open source, to publish the training data lineage, and to make it available at no cost means that a researcher in Nairobi can access the same climate intelligence as a policymaker in Brussels. Users range from individual practitioners to institutions like NASA.

The model benchmarks show ten times the efficiency on climate-specific tasks compared to general-purpose models, and a cascading machine translation approach that recovers nearly 94% of fluency performance relative to native multilingual models. Crucially, it was trained and is hosted on renewable energy.

Why Internet Archive Europe Supports ClimateGPT

Internet Archive Europe supports ClimateGPT because the initiative directly aligns with the mission of universal access to knowledge. ClimateGPT demonstrates that combining planetary-scale datasets with open, decentralised technology empowers citizens and governments to make better decisions. It is AI built for transparency and adaptation, not just automation.

This matters for governance as much as for science. Climate disinformation is not an abstract problem. It shapes legislation, investment decisions, and public understanding of risk. A model that is auditable, grounded in peer-reviewed sources, and built to counter disinformation rather than amplify it represents a different category of AI development from what currently dominates the market. The question of who builds AI, on what data, and for whose benefit is a political question as much as a technical one. ClimateGPT answers it in the public interest.That is what this nomination recognises. Vote to say it matters.

ClimateGPT is a Webby Nominee. Vote Before 16 April. Read Post »

Beatrice Murch Speaking at Cultural Heritage Under Attack Webinar on 31 March

Internet Archive Europe Program Manager Beatrice Murch will speak at the Cultural Heritage Under Attack: Saving Cultural Data in Times of Crisis webinar on 31 March 2026, hosted by the Digital Humanities Research Hub at the School of Advanced Study, University of London.

Event Details

📅 Date: Tuesday, 31 March 2026 
⏰ Time: 16:00-17:30 GMT / 17.00-18.30 CEST
📍 Location: Online 
🎟 Register: sas.ac.uk

This session is the third in the Research Hub’s flagship seminar series, The Fragile Record: Incompleteness and Loss in Digital Cultural Heritage Collections. It brings together an interdisciplinary group of researchers and practitioners to examine what happens when cultural heritage collections, archives, and digital infrastructures come under threat, whether from armed conflict, political instability, climate emergencies, cyberattacks, or the slower erosion of technological obsolescence.

The question posed by the session is not abstract. Archives and cultural datasets are increasingly emerging as targets for attack, exploitation, and control. Institutions long conceived as spaces of permanence and security are having to reckon with a different reality. The session will assess both institutional preparedness and community-led responses, and ask what forms of stewardship and crisis management are needed to build genuine resilience. Beatrice will be joined by Kalle Westerling, Fattori McKenna, Michael Weinberg, Pakhee Kumar, and Quinn Daedal, hosted by Anna-Maria Sichani and Kaspar Beelen.

This conversation sits at the heart of what Internet Archive Europe works toward every day. Preservation is not a passive act. It requires political will, sustained resources, and the right legal frameworks, which is why we continue to call on individuals, institutions, and organisations across Europe to sign the Our Future Memory Statement. The Statement is a public commitment to protecting our collective digital memory, ensuring continued access, and building the legal infrastructure our archives need to meet the crises we now face. If your organisation has not yet signed, encourage them to do so.

Register for the session and share it widely. This is an important conversation.

Beatrice Murch Speaking at Cultural Heritage Under Attack Webinar on 31 March Read Post »

Scroll to Top