Beatrice Murch

Digital memory is not a given. Someone has to fight for it.

On 10 April, Internet Archive Europe joined SETUP and the Next Nature Museum in Eindhoven for the opening of the Facebook Museum, a project that asks a question most of us avoid: why can’t we let go of the platforms that hold our lives?

The evening brought together Brewster Kahle, founder of the Internet Archive, researcher Marissa Memelink, cultural sociologist Siri Beerends, and Koert van Mensvoort, Next Nature Director, for a conversation that moved quickly from nostalgia to urgency.

Kahle traced the arc of digital communities from Phyto Net and GeoCities to MySpace, Vine, and Twitter, not as a history lesson but as a warning. These platforms held real communities, real memories, real voices. Most are gone. What survives lives in the Wayback Machine. “People want to share what they know,” he said, “and they’re awesome.” The problem is what happens to that sharing when it sits on someone else’s servers, subject to acquisition, shutdown, or deletion without notice.

The panel pushed on something harder than technical preservation: trust. A Facebook Museum visitor had described their account as an external hard drive, assuming the data would simply be there whenever they needed it. Kahle was direct. That assumption is false, and most people know it, in the way you know your phone photos might not be backed up, but do not act on it. The question is not just how to save things. It is how to build systems that people can actually trust enough to rely on.

That question has a political answer. Kahle pointed to the stakes for Europe specifically. If the continent does not build public digital infrastructure, including public AI trained on cultural heritage, the choice will narrow to American or Chinese models. “That is not good enough,” he said, “and we have the technologies to do something about it.”

The decentralised web offers a different model: protocols instead of platforms, data you actually own, switching costs that do not feel like surgery. This vision is being practicalised at events like DWeb Camp, which moves to Europe for the first time this July in the forests of Brandenburg, close to Berlin, Germany. By gathering technologists, artists, and policymakers to build “root systems” for a more resilient internet, the camp serves as a living laboratory for these principles. The path is not easy, but the direction is clear.

This is exactly the work Internet Archive Europe exists to support. Preserving the web is how societies remember who they were and what they chose to build. It is too important to ignore.

The Facebook Museum runs at the Next Nature Museum in Eindhoven through September 2027, and the Internet Archive Europe looks forward to a continued partnership with SetUp Media Lab.

Digital memory is not a given. Someone has to fight for it. Read Post »

ClimateGPT is a Webby Nominee. Vote Before 16 April.

Most AI tools are black boxes. You do not know what they were trained on, who decided what counts as reliable, or whether the answers they produce can be checked against anything. ClimateGPT 3+ is built on a different premise: that climate intelligence must be open, auditable, and grounded in solid data. The Webby Awards have taken notice.

ClimateGPT 3+, a project developed by Erasmus.AI and supported by Internet Archive Europe, has been nominated in the AI: Energy and Sustainability category of the 30th Annual Webby Awards. This year more than 13,000 projects entered; ClimateGPT 3+ placed in the top 11%. A People’s Voice Award, voted on by the public, is now within reach. Voting is open until 16 April 2026.

The People’s Voice Award

The Webby People’s Voice Award is voted on by anyone, anywhere. Last year nearly 3.6 million votes were cast from more than 230 countries. The award is a signal to the sector about what kind of AI the public actually values.

ClimateGPT earned this nomination by doing something most AI platforms do not. Voting for it is a vote for the principle that AI serving the climate transition should be open, accountable, and grounded in the best available science. It should not be proprietary, locked behind paywalls, or optimised for engagement over accuracy.

Vote at vote.webbyawards.com before 16 April 2026, and visit climategpt.ai to explore the tool directly.

What ClimateGPT Is, and Why It Is Different

ClimateGPT is an open-source ensemble of large language AI models built to augment human decisions on climate change. It was trained on a corpus of over 10 billion web pages and millions of open-access academic articles, synthesising interdisciplinary research across the natural, social, and economic sciences. The model is available in more than 20 languages and is free to use for researchers.

That is not a minor technical detail. The decision to make the model open source, to publish the training data lineage, and to make it available at no cost means that a researcher in Nairobi can access the same climate intelligence as a policymaker in Brussels. Users range from individual practitioners to institutions like NASA.

The model benchmarks show ten times the efficiency on climate-specific tasks compared to general-purpose models, and a cascading machine translation approach that recovers nearly 94% of fluency performance relative to native multilingual models. Crucially, it was trained and is hosted on renewable energy.

Why Internet Archive Europe Supports ClimateGPT

Internet Archive Europe supports ClimateGPT because the initiative directly aligns with the mission of universal access to knowledge. ClimateGPT demonstrates that combining planetary-scale datasets with open, decentralised technology empowers citizens and governments to make better decisions. It is AI built for transparency and adaptation, not just automation.

This matters for governance as much as for science. Climate disinformation is not an abstract problem. It shapes legislation, investment decisions, and public understanding of risk. A model that is auditable, grounded in peer-reviewed sources, and built to counter disinformation rather than amplify it represents a different category of AI development from what currently dominates the market. The question of who builds AI, on what data, and for whose benefit is a political question as much as a technical one. ClimateGPT answers it in the public interest.That is what this nomination recognises. Vote to say it matters.

ClimateGPT is a Webby Nominee. Vote Before 16 April. Read Post »

Beatrice Murch Speaking at Cultural Heritage Under Attack Webinar on 31 March

Internet Archive Europe Program Manager Beatrice Murch will speak at the Cultural Heritage Under Attack: Saving Cultural Data in Times of Crisis webinar on 31 March 2026, hosted by the Digital Humanities Research Hub at the School of Advanced Study, University of London.

Event Details

📅 Date: Tuesday, 31 March 2026 
⏰ Time: 16:00-17:30 GMT / 17.00-18.30 CEST
📍 Location: Online 
🎟 Register: sas.ac.uk

This session is the third in the Research Hub’s flagship seminar series, The Fragile Record: Incompleteness and Loss in Digital Cultural Heritage Collections. It brings together an interdisciplinary group of researchers and practitioners to examine what happens when cultural heritage collections, archives, and digital infrastructures come under threat, whether from armed conflict, political instability, climate emergencies, cyberattacks, or the slower erosion of technological obsolescence.

The question posed by the session is not abstract. Archives and cultural datasets are increasingly emerging as targets for attack, exploitation, and control. Institutions long conceived as spaces of permanence and security are having to reckon with a different reality. The session will assess both institutional preparedness and community-led responses, and ask what forms of stewardship and crisis management are needed to build genuine resilience. Beatrice will be joined by Kalle Westerling, Fattori McKenna, Michael Weinberg, Pakhee Kumar, and Quinn Daedal, hosted by Anna-Maria Sichani and Kaspar Beelen.

This conversation sits at the heart of what Internet Archive Europe works toward every day. Preservation is not a passive act. It requires political will, sustained resources, and the right legal frameworks, which is why we continue to call on individuals, institutions, and organisations across Europe to sign the Our Future Memory Statement. The Statement is a public commitment to protecting our collective digital memory, ensuring continued access, and building the legal infrastructure our archives need to meet the crises we now face. If your organisation has not yet signed, encourage them to do so.

Register for the session and share it widely. This is an important conversation.

Beatrice Murch Speaking at Cultural Heritage Under Attack Webinar on 31 March Read Post »

Brewster Kahle at the Facebook Museum Opening in Eindhoven on 10 April

Internet Archive founder Brewster Kahle will appear at the opening of the Facebook Museum on 10 April 2026, hosted at the Next Nature Museum (Evoluon) in Eindhoven.

Event Details

📅 Date: Friday, 10 April 2026 
⏰ Time: 17:30 – 21:00 CET 
📍 Location: Next Nature Museum (Evoluon), Eindhoven 
🎟 Tickets: nextnature.org 

The Facebook Museum is a project by Utrecht-based arts and technology organisation SETUP. It asks a deceptively simple question: why can’t we let Facebook go? Rather than leading with guilt or pushing alternatives, it invites visitors to sit with the emotional reality of digital attachment: the memories, the connections, the years of life stored on someone else’s servers. The museum runs at the Next Nature Museum in Eindhoven from April through September 2026.

The opening evening brings together three speakers. Marissa Memelink, the researcher behind the Facebook Museum, will share what the project has revealed about our relationship with the platform. Siri Beerends, cultural sociologist at SETUP, will explore why we are not simply passive victims of big tech, but active participants in the systems that hold us. Brewster will speak about the values and vision behind the Internet Archive: why archiving matters, who it serves, and what is at stake when the memory of the web depends on infrastructure that most people never see or think about. A panel discussion and audience conversation will follow.

After the programme, the museum opens for a self-guided visit, a Digital Wellness Center, and a workshop where visitors can create a scrapbook “obituary” for their Facebook account.

This is exactly the kind of conversation the Internet Archive exists to support. Digital memory is not just about institutions and servers. It is about what we as individuals and communities have built online, and whether we retain any meaningful relationship to it.

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Brewster Kahle Takes the Main Stage at CloudFest 2026 on 26 March

Next week, Internet Archive founder Brewster Kahle will take the main stage at CloudFest 2026, the world’s largest cloud industry conference, held at Europa-Park in Rust, Germany.

Event Details

📅 Date: Thursday, 26 March 2026 
⏰ Time: 4:20 PM CET 
📍 Location: Main Stage, Europa-Park, Rust, Germany 
🎟 Registration: cloudfest.com

In 2025, the Internet Archive preserved its one trillionth webpage, one of the most significant milestones in the history of public digital infrastructure. Kahle’s fireside chat, moderated by Christian Dawson of the i2Coalition, will celebrate that achievement while looking squarely at what comes next.

The conversation will cover the unexpected challenges of archiving the internet at scale, the legal and regulatory pressures reshaping how information flows online, and what the rise of AI means for the future of public knowledge. At the heart of it all is a question that matters to everyone working in the open web: will the next era of the internet remain a public resource, or will it become something far more closed?

These are not abstract concerns. The Internet Archive has spent nearly three decades demonstrating that preservation is a political act, not just a technical one. In an era when centralisation is accelerating and legal battles over digital memory are intensifying, the case for open, public infrastructure has never been more urgent.

For the internet infrastructure community gathered at CloudFest, this is a session that speaks directly to the stakes of the work they do every day.

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Opening Up Heritage: Reflections on Our Amsterdam Event

On Monday 2 March, Internet Archive Europe co-hosted an afternoon of conversation that felt, in the best possible way, like a homecoming. Together with Creative Commons and Open Nederland, we welcomed practitioners, policymakers, and advocates from across the Dutch heritage sector to our Amsterdam space for an event entitled “Ensuring equitable access to heritage in the digital environment: A leading role for the Netherlands on the global stage.”

The occasion was an opportunity to celebrate something real: the Netherlands has, for more than two decades, quietly and consistently set the standard for how cultural heritage institutions can open up their collections with integrity, imagination, and public purpose. Getting the people doing that work into the same room, alongside international partners, felt both timely and overdue.

Why the Netherlands, Why Now

The Dutch heritage sector’s track record on openness is not accidental. It reflects sustained investment, institutional leadership, and a genuine commitment to the idea that collections held in trust for the public should be accessible to that public.

Saskia Scheltjens from the Rijksmuseum Research Library captured this with a precision I found genuinely moving. The Rijksmuseum launched its digital collection in 2011, opened Rijkstudio in 2012, and completed the digitisation of its entire collection of one million objects in 2023. Rather than driving visitors away, free and open online access has brought more people into a relationship with the collection. As she put it: “Innovation requires infrastructure.” That is as true for open heritage as for anything else.

Edwin van Huis, who serves on the Internet Archive Europe Advisory Board, made the case for scaling this ambition to the European level. He pointed to DiSSCo — a Dutch-led initiative bringing together 1.5 billion specimens, 5,000 scientists, and more than 400 institutions across 23 countries — as an example of what becomes possible when openness is treated as a design principle from the outset.

Amanda van Rij from the Ministry of Education, Culture and Science introduced the National Strategy on Digital Heritage and the Netwerk Digitaal Erfgoed (Digital Heritage Network) Manifesto, which has already been signed by over 200 institutions across the country. Her framing was one I hear echoed in much of the policy work we do: digitisation changes how heritage is created, shared, and experienced, and that transformation demands a careful balance between intellectual property on the one hand and the public interest in access to our collective memory on the other.

The Open Heritage Statement and Our Future Memory

For Internet Archive Europe, this event was also an opportunity to draw out the connections between two initiatives we care about deeply: the Open Heritage Statement, led by Creative Commons and the Open Heritage Coalition, and our own Our Future Memory campaign.

When I presented on the second panel, aptly steered by the moderator Maarten Zeinstra from Open Nederland, I tried to show how these two efforts speak to the same underlying concern from different angles. Our Future Memory focuses on the basic rights that memory institutions need in the digital environment: the right to preserve, to lend, to provide access to knowledge across borders, and to engage in research and education. The Open Heritage Statement takes a broader view, calling for equitable access to public domain heritage and the removal of barriers that prevent people from participating in cultural life.

They are complementary. One focuses on the legal and institutional conditions under which memory institutions operate; the other articulates the values and principles that should guide how heritage is made available to the world. Together, they map a more complete picture of what an open heritage ecosystem actually requires.

Claire McGuire from the International Federation of Library Associations & Institutions (IFLA) made this point powerfully. The Open Heritage Statement, she observed, addresses issues well beyond copyright. It frames access to heritage within the wider context of access to information, and it does so at a moment when the landscape is becoming more, not less, fragmented. Uncertainty about artificial intelligence is already producing regression and backsliding in some areas. A global shared framework, with a home at UNESCO, offers a counterweight to that fragmentation.

Jan Bos, Chair of the UNESCO Memory of the World International Advisory Committee, placed the Statement in a longer institutional history. The Memory of the World Programme has been focused on protecting documentary heritage since 1992, and the 2015 Recommendation on the Preservation of, and Access to, Documentary Heritage laid important groundwork, including commitments to public domain access and open licensing. But the 2015 Recommendation covers only documentary heritage. The Open Heritage Statement extends those principles to all forms of heritage, making it a genuinely valuable complement — and potentially the basis for a more comprehensive international framework.

That framing matters to us. Internet Archive Europe operates in the spaces where documentary heritage, digital preservation, and open access converge. Seeing those concerns reflected in a global instrument with a home at UNESCO is not a small thing.

What Progress Looks Like, and What It Does Not

Douglas McCarthy from the Open Future Foundation offered some useful honesty. Roughly 1,700 cultural heritage institutions worldwide have released some data openly, corresponding to around 100 million objects. That is real progress. Article 14 of the 2019 Copyright in the Digital Single Market Directive has brought greater legal clarity in Europe, and the positive growth curve in online access to heritage is genuine.

But he also named what is still missing: compliance regimes are weak or non-existent, practices and policies remain deeply fragmented, and some prominent Dutch institutions are still erecting barriers around public domain heritage, perpetuating business models that no longer serve the institutions or the public they exist for. Driving change, he argued, comes down to individuals with the leadership and vision to experiment.

That observation feels true to us. At Internet Archive Europe, we see it every day. The legal frameworks matter enormously, and we will keep working to strengthen them. But the choices made by people inside institutions — what to digitise, how to licence it, whether to share it freely — are where the actual transformation happens.

Looking Ahead: Paris in April

This event was, as Brigitte Vézina and Brewster Kahle reminded us in their closing remarks, a prelude. The Netherlands is well-positioned to help set global standards for heritage access, and the international law stage offers a real opportunity to make that influence felt.

Creative Commons is organising a follow-up event at UNESCO House in Paris on 29 April 2026: “How Can Equitable Access to Heritage Help Solve Global Challenges? An Exploratory Dialogue.” We hope many of the people in the room on Monday, 2 March will be there. If you are not yet registered, you can do so at openheritagestatement.org/dialogue. The Our Future Memory campaign continues to grow. If your institution has not yet added its voice, we encourage you to do so at ourfuturememory.org. No organisation is too small — and the breadth of the sector matters as much as the weight of its largest members.

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